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The 14th Dalai Lama: A Manga Biography, by Tetsu Saiwai

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From Publishers Weekly

It would perhaps be asking too much for a biography of the 14th Dalai Lama, divinely appointed leader of Tibet, to treat its subject with a skeptical eye, particularly when it's obviously being written from a teach-the-children perspective. Any sense of skeptical inquiry is resolutely not what writer/illustrator Saiwai (an educational Manga artist and puppeteer) is up to in this brisk and action-packed overview of the Dalai Lama's life. Starting in calamity in 1939 with the passing of the 13th Dalai Lama and the locating of his reincarnation in two-year-old Tenzin Gyatso, Saiwai moves quickly through the major signposts of Tenzin's life. Drama is cranked to the max, with bellowing mouths and frequent exclamations of rage or despair as the ancient mountain kingdom of Tibet falls to the crushing dictatorial oppression of Mao's China. Eventually it is revealed that the story is styled mostly as an autobiographical speech delivered by Tenzin to an adoring multinational crowd. While Tenzin's life is inarguably one of great faith, determination, and generosity, Tetsu's lack of perspective ultimately works to flatten, not enhance, the story. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved.

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From Booklist

Saiwai, a manga artist known for his treatments of educational topics, turns his pen to the fourteenth Dalai Lama, whose struggles to free Tibet from Chinese rule earned him the Nobel Peace Prize in 1989. The gripping story, illuminating the atrocities of the Chinese takeover, is told from the Dalai Lama’s point of view and makes the holy leader seem all too human. Saiwai ends his clearly drawn tale with the beginning of the holy man’s exile in India and ties things together with an epilogue. There is a bibliography, but a character guide would have helped to keep the many monks straight in readers’ minds. Though this story isn’t quite a complete biography—and though manga purists might object to Penguin’s decision to publish it in a left-to-right format—it nevertheless makes a nice addition to school and public library collections. Readers, especially teenagers, will wonder what they would have done if they had such power and responsibility thrust upon them at such a young age. Grades 7-12. --Snow Wildsmith

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Product details

Paperback: 208 pages

Publisher: Penguin Books; Reprint edition (September 28, 2010)

Language: English

ISBN-10: 0143118153

ISBN-13: 978-0143118152

Product Dimensions:

5.5 x 0.6 x 8.4 inches

Shipping Weight: 8.5 ounces (View shipping rates and policies)

Average Customer Review:

4.7 out of 5 stars

12 customer reviews

Amazon Best Sellers Rank:

#556,061 in Books (See Top 100 in Books)

This happened to be assigned reading alongside the autobiography of the 14th Dalai Lama for a course I took on Tibetan Buddhism. While it is simplistic, I think this manga serves as a great introductory piece to the conflict that occurred between the Chinese and the Tibetan people in the 1950s. If you are interested in this particular bit of history, I wouldn't stop at just reading this manga. However, it is a very interesting, easy read. It's a nice addition to my collection of manga, as well.I will also note, there are at least two versions of this in print, one with a glossy cover and thin comic paper pages (presumably a reprint), and another with a thick paper cover and solid pages. So the product you order may vary in quality!

This is a great simple and quick way to learn the story of the 14th Dalai Lama's life, and it's fun and beautiful too. Highly recommended.

it was actually a gift and the person who I gave it really wanted, when she saw it I knew it was good, so, it was an excellent gift!

this is interestingthis comic tells about the Dalai Lama's life from the age of 2 to now.if you want your child to learn about the Dalai Lama, they would read thisit is in comic format

The life of a Dalai Lama is obviously not an easy one: promoting peace and spirituality in the midst of insurmountable conflict, being thrust into a position of enormous power at a very young age, and living with the inescapable weight of an entire fading country on your shoulders. As a reader who is an outsider to the world of foreign politics, understanding the position of the Dalai Lama in Tibet's political and spiritual existence definitely isn't easy, but it's spelled out here in enough simplified detail to tell a solid story while providing a gateway into a much larger, bloodier scene.Initially, it's easy to dismiss The 14th Dalai Lama as a work of manga for the sake of being manga: It's a popular format that sells very well and, subsequently, is relatively easy to capitalize on. Even as a reader who doesn't often enjoy or comprehend the appeal of manga, I found that Tetsu Saiwai's art and storytelling stand up by themselves as pure, excellent narrative. The artwork doesn't feature the bizarre exaggerations of many fantastical manga stories, or the emotional, hazy dreamscapes that haunt the genre. This particular volume isn't even read back-to-front. In many ways, this resembles American comic traditions much more strongly than Asian ones, making it accessible to multiple audiences. Manga is thematically appropriate when visually discussing matters of history that have taken place in Asia, after all.Narratively, the biography is told with the Dalai Lama as protagonist, so the Chinese are consistently portrayed as deceptive, violent, and perpetually angry, making them a cartoonishly nefarious group of characters without actually stepping into racist territory. This biography focuses on many critical events with succinct vignettes, but makes a giant leap through time from 1959 to 2009. Fifty years of the Dalai Lama's life, which are presumably not as interesting as his first years as leader, are omitted for the sake of space. Of course, the struggle of Tibet is not a story that has ended yet, and the life and work of the Dalai Lama continues, but the lack of 50 years of landmarks implies that he spent half of a century without taking any major initiatives, which is obviously false. Very basic research about Tibetan politics prior to China's invasion also reveal a much more complex picture of a Tibet that endured practices of slavery and forced mutilation, but the most important aspect of this book is the idea that it provokes a very real interest in a much deeper picture of a fascinating, important subject. Ultimately, it is intelligent and effective.Because these politics are violent, the death of women and children is prominent, but never graphic. The subject matter skews toward an older audience despite the nature of the art, so don't be misled by the appearance of The 14th Dalai Lama--keep it in the teen collection, but definitely keep it.-- Collin David

Inspired by non-violence and inked as a story of Tenzin Gyatso's struggle as he matures within a homeland under Communist invasion, this simple depiction illustrates the tensions. Idyllic panoramas heighten the contrast with the massacres of innocents, for this Tibet's filled with resistance to Chinese genocide, and Mao's reprisals after he fails to manipulate the Dalai Lama and the second leader, the Panchen Lama, into being puppets for a utopian ideology that masks cultural and political and religious extermination. The style is in the "manga" manner of large faces, not a lot of subtle detail, and direct linear expression of emotions and action.This could be used to teach younger readers; I gave it to my teenaged son, given a curiosity about Buddhism (he's never read about it) and a love of graphic novels. There's a lot of attention to the diplomatic dissension during the 1950s, and this provides the main plot. Those expecting a broader look at the Dalai Lama's life in exile will not find as much here, but for an introduction to what Tibet faced after Mao's triumph spread his ambitions towards Tibet, this is a swift, and effective primer that sets out the challenges of what happens when arms are taken up and world attention sought, but when both fail against a massive occupation.Saiwai credits Martin Scorsese's "Kundun" among his sources, and the cinematic nature of this book shows in juxtapositions of the backs of the heads of praying monks with the face of a benevolent giant, triple-faced Buddha, or the last glimpse of the Potola palace by the fleeing Dalai Lama as he disguised hastens into exile from a Lhasa bombarded by an army that claims to be the people's liberators.I found this an effective reminder of the difficult message of the Dalai Lama that violence no matter how "moral" as intended sparks further reprisals, and often deadlier repression. All options are explained, the violent as well as the pacifist, and the complexity of options and the futility of rebellion darken the tone. There's not much about Buddhism itself, but citation of teachings on peace gain effective placement at key points as the Dalai Lama reminds himself of them.Saiwai takes pains to be fair to all sides in this saga, but he emphasizes the Buddhist reminder "how anger and hatred can grow inside and cloud people's vision." He shows the Dalai Lama trying to bring about peaceful reform for Tibet, and how this effort was ruined by the imperialism that was foisted upon his countrymen and women as if an anti-colonial opportunity to overthrow feudalism. The factions bicker, the CIA hovers, the Cold War uses this land as its staging ground and as its ignored entity, for Nepal, India, England, and America all turn away as Tibet faces attack.Today, the situation does not differ much. The Dalai Lama for most of these panels, first round-eyed and happy, later bespectacled and bereft, is shown trying to guide his people as China outwits and outnumbers them. Later, he travels the world preaching his appeal to find harmony with one's foes, and this entreaty widens as Sensai portays the need for progress in a China shown in need, post-Tienanmen Square, of the same hopes for its people as those that Tibetans try to achieve.The main story begins as the Dalai Lama in 2009 tells of his coming of age. A coda recaps his Nobel Peace Prize acceptance speech in 1989, with his hope for Tibet's survival, appending an update on the arrival of the rail line to Lhasa that allows further weakening of Tibetan traditions as the Communist regime seeks a "sinicization" of the vast plateau, as migrants already outnumber the six million Tibetans there.Saiwai shows the Dalai Lama talking to crowds, finding room for orphans who have fled the same homeland as he had, and attempting to convince a world where few leaders hear what many ordinary folks in his audiences may come to accept: the restoration of Tibet as a natural park, the arrival of peace to its people, and the autonomy of their homeland. Meanwhile, the Chinese import their people, strip its resources, and crush its resistance. Whether this tale has a happy ending remains ambiguous. Impermanence remains.

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